Active Filters:
Play Time: < 1:00
Play Time: 2:10 - 3:20
Unique Notes: > 20
Clear All Filters

Tags

J.S. Bach
J.S. Bach: Matthäus-Passion, BWV 244: VIII. Recitative: Aber am ersten Tage der süssen Brod
Samuel Ricke
3:00 Est. Play
Time
38 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 20 30 8 6 92%
Bass 24 0 8 5 97%
View all 16 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 20 30 8 6 92%
Bass 24 0 8 5 97%
Continuo. Bass 24 0 8 5 97%
Violone Bass 24 0 8 5 97%
Evangelist. 16 0 6 4 79%
Violino
I.		 Treble 15 0 5 6 69%
Treble 18 0 5 5 67%
Viola. 18 0 5 6 69%
Basso. Bass 17 0 5 4 63%
Alto. 13 0 4 3 42%
Bassoon Bass 21 0 6 4 42%
Soprano. 13 0 5 2 39%
Flauto
traverso
II.		 Treble 12 0 2 3 29%
Oboe
II.		 Treble 13 0 2 3 29%
Flauto
traverso
I.		 Treble 12 0 1 3 26%
Oboe
I.		 Treble 12 0 1 3 26%
 
J.S. Bach: Christ lag in Todesbanden, BWV 4 - Versus IV.
Samuel Ricke
2:20 Est. Play
Time
44 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo. Treble 25 14 9 9 99%
Bass 24 0 9 7 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo. Treble 25 14 9 9 99%
Bass 24 0 9 7 100%
Continuo. Bass 24 0 9 7 100%
Tenore. 18 0 7 6 100%
Soprano. 18 0 7 5 98%
Bass Bass 21 0 7 6 93%
Violone. Bass 21 0 8 7 93%
Alto 11 0 5 6 52%
 
Bach Cello Suite No. 1 in G Major For Guitar
synthmusic
2:48 Est. Play
Time
42 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Classical
Guitar		 Treble 32 1 11 3 93%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Classical
Guitar		 Treble 32 1 11 3 93%
 
J.S. Bach - Musikalisches Opfer: Canon a 2 - I (Cancrizans)
Roland Bouman
0:36 Est. Play
Time
18 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 31 0 12 3 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 31 0 12 3 100%
 
32. Befiehl du deine Wege, J.S. Bach, BWV 272.
SDG
0:55 Est. Play
Time
14 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 16 0 5 5 100%
Treble 16 0 5 5 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 16 0 5 5 100%
Treble 16 0 5 5 100%
Bass 22 0 7 6 100%
Bass 22 0 7 6 100%
Soprano/Alto Treble 16 0 5 5 100%
Tenor/Bass Bass 22 0 7 6 100%
Contrabass Bass 16 0 5 5 50%
 
Three-Part Invention no.7
Kuhey
2:20 Est. Play
Time
44 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 25 0 7 6 97%
Bass 30 0 10 6 55%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 25 0 7 6 97%
Bass 30 0 10 6 55%
Piccolo Treble 19 0 6 6 94%
Pan
Flute		 Treble 26 0 7 6 53%
Bassoon Treble 30 0 10 6 50%
 
4. Soll's ja so sein, dass Straf' und Pein, (Ach Gott und Herr), J.S. Bach, BWV 48-3. Cantate 'Ich elender Mensch, wer wird mich erlösen?'
SDG
0:31 Est. Play
Time
11 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 13 0 4 6 100%
Bass 24 0 7 6 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 13 0 4 6 100%
Bass 24 0 7 6 100%
Soprano/Alto Treble 13 0 4 6 100%
Tenor/Bass Bass 24 0 7 6 100%
Contrabass Bass 17 0 6 4 50%
 
10. Ach, was soll ich Sünder machen (B.A. 39. No. 7), BWV 259.
SDG
0:37 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 12 0 2 5 100%
Treble 12 0 2 5 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 12 0 2 5 100%
Treble 12 0 2 5 100%
Bass 21 0 5 5 100%
Bass 21 0 5 5 100%
Soprano/Alto Treble 12 0 2 5 100%
Tenor/Bass Bass 21 0 5 5 100%
Contrabass Bass 15 0 2 3 50%